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Martin John Garhart, Of What the Calling, 2001, oil, 28" x 36".
From Among You I Have Been: Recent Work
April 24-May 25, 2003
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Exhibition Schedule 2002-2003:
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Peggy Kwong-Gordon, The Embodied Spirit, brush, ink, paper, 2002 |
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Peggy Kwong-Gordon
Meditations on the Tao: A Drawing/Writing Installation
August 29 - September 29
Opening Reception: Thursday, September 5, 2002: 7:30 pm
Peggy Kwong-Gordon, a resident of Hudson,
OH, will present an installation of hanging scrolls and body casts as
well as wall pieces, in which five chapters of the ancient Tao Te Ching
are inscribed in Chinese calligraphy. Kwong-Gordon's subtle
calligraphic method and the space "architecture" of her installations
mirror the philosophy of the Tao.
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Susan Bee, Miss Dynamite, 50" x 34", oil, enamel, collage, 2001
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Susan Bee
Miss Dynamite and Other Tales
October 3 - November 2, 2002
Opening Reception: Thursday, October 10, 2002, 7:30 pm, Olin Auditorium
Susan Bee's (New York, NY) oil, enamel and
mixed media collages play on anachronistic feminine gender
stereotypes-cliched figured and images from popular culture and pulp
fiction of the 1940's and 50's - that are arrayed like an
interconnected complex of zodiacal signs.
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Marcella Hackbardt, The Storm, digital chromogenic print, 24" x 24" |
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Marcella Hackbardt
Family Tree
November 7-December 14, 2002
Opening Reception: Thursday, November 14, 7:30 pm, Olin Auditorium
Working in digital photography, visiting
assistant professor of art, Marcella Hackbardt will present new work
critically exploring themes of the family and the domestic landscape.
Interrelated sequences of images will consider the tree-broken, cut and
petrified- as analogous to the family tree and the dysfunctional
extended family unit. Other works will reflect upon the structure of
the expansive cloistered American lawn as a problematized symbol for
normalcy, order and material prosperity.
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Walter L. Mayo, E.A. Schlairet Tractor-Trailor,
1947. Oil on canvas. 22" x 28". Courtesy, The Mayo Family.
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The Mayos: African-American Artists of the Heartland
January 23 - February 23, 2003
Introduction
The interpretive exhibition, The Mayos: African-American Artists of the Heartland,
and a six-page, four-color brochure with an accompanying essay, and
public program is the culmination of an eighteen month-long
collaborative project involving Kenyon College faculty, students,
administrators and community members.
The Mayos: African-American Artists of the Heartland
tells the story of two African-American folk artists-father and
son-from Knox County, Ohio. Walter Octavia Mayo (1878-1970) grew up on
his family's farm in Mount Vernon. By the 1920s, Walter O. had
developed his talent for woodcarving, drawing inspiration from farm
animals, biblical characters, historical figures and folk heroes. His
most significant contributions are his minutely observed carvings of
working people, harnessed horses and mules, and religious figures
illustrating biblical narratives. Walter O.'s large, multi-figure
carvings of draft animals and their drivers reflect his experience as a
"teamer" himself. Walter Leroy Mayo (1908-2000) took a special interest
in his father's art. As a boy, he drew pictures of the sculptures he
found around the house. Determined to develop his artistic skills,
Walter L. enrolled in a correspondence art course in the 1930s. His
work includes family portraits; paintings documenting his work
experience, commercial artwork; drawings of people and events from
popular culture; and large unstretched canvases featuring mostly
biblical subject matter, made for his church's annual homecoming
celebrations.
Students Margaret Tazewell '03 and Jessica Phillips '04
completed a year-long independent course of study in 2001-2002,
involving community fieldwork and primary research. Family members of
Walter O. and Walter L. and members of the communities in which the
Mayo's lived and worked were interviewed and recorded for their memory
of the artists and perspectives on the meaning and significance of
their artwork. Tazewell and Phillips worked closely with Professor of
Art History and American Studies Melissa Dabakis, Professor of
Sociology Howard L. Sacks, Associate Professor of Sociology Ric
Sheffield, Associate Professor of Drama Jon Tazewell, Affiliated
Scholar Judith R. Sacks, and Olin Art Gallery Director Daniel P.
Younger.
This project is co-sponsored by the Olin Art Gallery,
the departments of Art and Art History, Sociology and American Studies,
and the Rural Life Center. At Kenyon, the Offices of Multicultural
Affairs and the Dean of Students, The Rural Life Center, and the Martin
Fellowship for American Studies provided funding assistance. In
addition, this project was made possible with support from the Ohio
Humanities Council and the Ohio Bicentennial Commission.
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Senior Exercises
For completion of the Kenyon College Studio Art
degree, senior art majors must prepare and curate a week-long
exhibition of their work in Olin Art Gallery. The exhibition derives
from work completed during the students' senior year.
March 16-22
Phil Hands
Maggie Lamb
Ashley Parker
March 23-29
Katy Tucker
Allison Stroh
Mike Roopenian
Megan Biddle
March 30-April 5
Valerie Temple
Sayako Earle
Russell Whitmore
Anders Johnson
April 6-12
Beth Sweet
Alisha Dall’Osto
Meredith Andrews
Ian Higgins
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Martin John Garhart, Home, 2000, oil, 18"x22"
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Martin John Garhart
Among You I Have Been: Recent Work
Olin Art Gallery and Horn Gallery
April 24-May 25, 2003
Artist slide talk, Thursday, April 24, 7:30 pm, Olin Auditorium, Olin Library
–a catered reception will follow the talk in the Olin Art Gallery
–a second reception will start at 9:00 pm in the Horn Gallery
With Professor of Art Martin John Garhart’s retirement at the end
of this academic year, this exhibition, on view at both the Olin Art
Gallery and the Horn Gallery, marks his 2001-2002 sabbatical and the
end of his thirty-one years of teaching at Kenyon College.
Garhart’s concurrent exhibitions at the Olin Art Gallery and the
Horn Gallery include three bodies of work: oil paintings from his Love Songs series; The Watercolor Poems
(a new series of watercolor paintings); and a collection of drawings.
The paintings are a visual response to life lived through the heart.
The drawings are a selection of works gathered from the artist’s
habitual practice of describing visually the daily events of his life.
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